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Projects · July 2024

咕咚手机加速传感器异常

Visualising climate change projections for over 4700 locations around Australia. With Geoff Hinchcliffe; commissioned by the Australian Conservation Foundation.

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Projects · December 2018

咕咚手机加速传感器异常

An explorer for the State Library of Queensland's Corley Collection; 61,000 photographs of Queensland houses from the 1960s and 70s. Commissioned by SLQ; made with Geoff Hinchcliffe and our friends at Icelab.

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Projects · December 2018

咕咚手机加速传感器异常

Tangible visualisations of Australian climate change, developed with Geoff Hinchcliffe and the ANU Climate Change Institute.

Projects · May 2018

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Reflecting on generative techniques for remaking digital heritage, through the projects Drifter and Succession. Published in the Open Library of Humanities special issue Remaking Collections.

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Writing · April 2018

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Visualising changes through three editions of Raynal's Histoire des deux Indes. With Geoff Hinchcliffe and Glenn Roe.

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Projects · January 2018

咕咚手机加速传感器异常

in Artlink 37:1, Data Visual. A look at data practice in Australia and New Zealand through the work of four prominent creators spanning visualisation, cartography and digital heritage.

Writing · November 2017

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咕咚手机加速传感器异常

A catalogue essay on time, attention and climate change for Jo Law's Illustrated Almanac of the Illawarra and Beyond.

Writing · August 2017

咕咚手机加速传感器异常

A text commissioned by Norwegian artist HC Gilje for his monograph Conversations with Spaces.

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Local Kin

A visual explorer for biodiversity data

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Drifter

A multilayered portrait of the Murrumbidgee river system, made out of data

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Asia Art Archive Bibliography Interfaces

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Projects · December 2015

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An experimental "unsolicited" interface to the wildlife audio collection of the Macaulay Library

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Projects · August 2015

Accretor: Generative materiality in the work of Driessens and Verstappen

in betternet中文版下载 21 (3): 307–312 (Summer 2015)

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Writing · August 2015

Generous Interfaces for Digital Cultural Collections

in Digital Humanities Quarterly 9(1) (2015). This paper updates and expands my previous writing on generous interfaces

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Writing · July 2015

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Representing Digital Collections

in Performing Digital: Multiple Perspectives on a Living Archive, ed. David Carlin and Laurene Vaughan (Farnham: Ashgate Publishing, 2015)

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Writing · May 2015

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Epistemological Machines and Protocomputing

With Ralf Baecker, in Experiencing the Unconventional: Science in Art ed. Theresa Schubert and Andrew Adamatzky. World Scientific, 2015.

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Digital fossils from the history of Newcastle-Upon-Tyne. An experiment in generative heritage

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Projects · November 2014

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A generous interface to 1,000 covers and pages from The Queenslander, 1890-1939. Developed with Geoff Hinchliffe.

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Projects · June 2014

Nolan Explorer

An exploratory interface for the Canberra Museum and Gallery's Nolan Collection

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Projects · March 2014

The Institutional Harvest

Visualising the history of women's services and agencies in Australia, 1970-2011

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Sheer Hardware: Material Computing in the Work of Martin Howse and Ralf Baecker

In Scan 10(2) (2013), "The In/Visibilities of Code"

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Writing · December 2013

Towards Generous Interfaces for Archival Collections

This paper makes the case for the limitations of search, and proposes instead the concept of “generous interfaces” for digital collections

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Writing · October 2013

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A catalog essay commissioned for Datascape, an exhibition at QUT's Cube Gallery, April 2013.

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Writing · June 2013

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Three experimental, "generous" interfaces for the National Gallery of Australia's Australian Prints + Printmaking site

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Projects · April 2013

Ten Questions Concerning Generative Computer Art

with Jon McCormack, Ollie Bown, Alan Dorin and Jonathan McCabe; in Leonardo 47(2) (2014)

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TroveMosaic

An experimental "generous" interface for the Trove picture search

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Projects · December 2012

Transmateriality: Presence Aesthetics and the Media Arts

in Throughout, ed Ulrik Ekman, MIT Press 2012

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Writing · December 2012

A Framework for Understanding Generative Art

with Alan Dorin, Jonathan McCabe, Jon McCormack and Gordon Monro; in Digital Creativity 23 (2012).

Writing · November 2012

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Manly Images

An experimental web interface to the Manly Local Studies Image collection

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Projects · October 2012

Weather Bracelet and Measuring Cup: Case studies in data sculpture

Practice-led research in data sculpture and tangible visualisation.

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Writing · May 2012

Playing with Complexity: An Approach to Exploratory Data Visualisation

with Ben Ennis Butler and Sam Hinton, presented at ACUADS 2011

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Writing · September 2011

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Writing · August 2011

Memory of a Nation Multitouch Interactive

A multi-touch interactive for the National Archives, in collaboration with Lightwell.

Projects · June 2011

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Local Colour

A generative fabrication project in recycled laser-cut cardboard.

Projects · June 2011

After the Screen: Array Aesthetics and Transmateriality

Presented at the Transdisciplinary Imaging Conference, Artspace, November 2010

Writing · March 2011

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Networked Production: On Making with Bits and Atoms

A short essay on craft, making and digital fabrication for Craft Australia's eNews 54

Writing · August 2010

Exploring the Digital Commons: An Approach to the Visualisation of Large Heritage Datasets

with Sam Hinton; presented at EVA 2010

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Measuring Cup

Representing long time-series of climate data in small, tangible forms.

Projects · June 2010

Visualising Archival Collections: The Visible Archive Project

in Archives and Manuscripts 37

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Writing · October 2009

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A catalogue essay on the work of HC Gilje, commissioned for his 2009 solo exhibition Blink at the Hordaland Art Centre

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Writing · October 2009

Limits to Growth (Exurbs)

Self-constraining growth forms robot-plotted onto paper islands.

Projects · October 2009

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Weather Bracelet

A wearable dataform made from 365 days of Canberra weather

Projects · September 2009

The Visible Archive

A research project on the visualisation of archival collections, supported by the National Archives of Australia.

Projects · July 2009

Landscape, Slow Data and Self-Revelation

An invited contribution to Kerb 17: Is Landscape Architecture Dead?

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Writing · May 2009

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With Mark Guglielmetti and Troy Innocent, in ACM Computers in Entertainment 7

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Writing · February 2009

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Slit-scanning the streetscape, revealing patterns of change and stasis in human and environmental activity.

Projects · November 2008

Limits to Growth

Generative experiments with self-limiting growth.

Projects · September 2008

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Visualising change in the environment, using long image time-series.

Projects · July 2008

Synesthesia and Cross-Modality in Contemporary Audiovisuals

in Senses and Society 3(3) (2008)

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Writing · April 2008

Art Against Information: Case Studies in Data Practice

in Fibreculture 11

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Writing · February 2008

System stories and model worlds: a critical approach to generative art

Presented at Readme 100, Dortmund (2005) and published in Readme 100: temporary software art factory

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Writing · February 2006

Hearing Pure Data: Aesthetics and Ideals of Data-Sound

An essay on data-bending, microsound and sonification commissioned by Sonic Acts X

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Writing · September 2004

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Catalog essay for Brogan Bunt's Halfeti: Only Fish Shall Visit (2002)

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Writing · December 2002

1968/1998: Rethinking a Systems Aesthetic

A short essay on the legacy of Jack Burnham's 'systems aesthetic', marking the 30th anniversary of the Cybernetic Serendipity exhibition. Published in the ANAT Newsletter #33, May 1998.

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Writing · May 1998

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